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The Culture Recovery Fund: how did the North East do?

How did the North East fare in the awards of grants for the cultural recovery Fund?

Peter Lathan by Peter Lathan
24-10-2020 14:55 - Updated on 08-04-2022 17:55
in Business, Co. Durham, Economy, North East, Northumberland, Performance, Politics, Region, Teesside, Tyneside, UK News, Wearside
Reading Time: 3 mins read
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Photo Playhouse Theatre.

Alnwick Playhouse was awarded £197, 668 funds as part of the Government’s £1.57 billion Culture Recovery Fund Photo by Richard Abbott-Brailey

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Arts Council England has made 1,974 awards totalling £334,062,243 from the two rounds of grants under £1m from the Culture Recovery Fund, a £1.57 billion fund from the Department of Digital, Media and Sport to provide emergency aid for theatre, music, dance, visual arts, literature, film, museums and other cultural organisations during the pandemic. A further round of grants of over £1m is yet to come, as are details of loans.

So how did the North East do in these first two rounds?

I have to admit that I found it depressing in the extreme to scroll through 974 spreadsheet rows to find comparatively few references to the region.

(Yes! Me reading a spreadsheet! Incredible! I’m a thespian, darling; I don’t do the mathematicals!)

Anyway, the North East came at the bottom of the list in both rounds, receiving 81 awards with a total value of £13,925,643. Ahead of us were the East Midlands (127 awards worth £20,088, 932) and the West Midlands (149 awards worth £22,904,888).

London, incidentally, received 627 awards, totalling £114,173,249, but we’d expect that, wouldn’t we?

So how did the various sectors do in the NE?

Music : £3,717,991
Theatre : £3,055,124
Combined Arts : £2,460,054
Museums : £2,133,520
Not Discipline-Specific : £1,575,532
Visual Arts : £627,089
Film : £371,892
Dance : £319,544
Literature : £264,000
Other/Not known : £173,928

Notes
Combined Arts includes a number of organisations we normally think of as theatres but are, in fact, Arts Centre, like the Customs House in South Shields.
Not Discipline-Specific refers to organisations like the Association for Cultural Enterprises in Stanhope, Co Durham, which is a training provider.
There were only two awards in the Film category, to Hexham-based Satellite Films, a socially-engaged film organisation, specialising in artists’ and experimental moving image production, and £309,800 to the Tyneside Cinema.
Other/Not Known is Arts Council’s own designation, not ours! It would seem to suggest that they are giving a grant to they know not whom…

The distribution of grants by local authority area is almost as you would expect – with just a couple of surprises:

County (& City of) Durham : 4
Darlington : 2
Gateshead : 5
Hartlepool : 4
Middlesbrough : 3
Newcastle: 22
North Tyneside : 1
Northumberland : 14
Redcar & Cleveland : 4
South Tyneside : 3
Stockton : 7
Sunderland : 6

The largest single grant went to Darlington Hippodrome, which received £1,000,000. There was one, to Durham & Darlington Music Education Hub, which was placed in the Durham category.

I may be being a tad pessimistic, but I honestly can’t see many from the next round (over £1m) coming to the region!

UPDATE on 24th Oct 2020

The first round of grants between £1m & £3m has been announced, with the NE getting 2 awards: £3m for Newcastle Theatre Royal and £1.8m for The Sage. 
Amounts awarded per region were:

East Midlands – £3,112,891
East of England – 3,000,000
London – £22,361,289
North East – £4,800,000
North West – £6,319,606
South East – £3,000,000
South West – £7,395,531
West Midlands – £21,341,390
Yorks & Humberside – £7,788,435

Tags: Culture
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Peter Lathan

Peter Lathan

Peter Lathan first appeared on stage in a school play at the age of 13 in 1956 when he played Marion in Sean O’Casey’s Cock-a-Doodle-Dandy. He first directed a play – Chekhov’s The Anniversary – in 1966. He has been involved in theatre ever since. He has taught Drama in schools, youth theatres and stage schools, whilst also running drama classes for recovering addicts and adults with severe learning disabilities. He has written more than 35 plays and directed over 70 from site-specific Shakespeare to touring pantos, from new writing to classic plays, from Theatre in Education to corporate productions. He is the author of It’s Behind You: The Story of Panto. He has been, variously, artistic director of theatre company KG Productions (2000 – 2016), chairman of the board of the Wearabout Theatre Company of Sunderland, and a Trustee of the Customs House in South Shields (9 years) and of No Limits Theatre Company, a professional company for adults with a learning disability In 2001 he founded the online British Theatre Guide which he edited for 11 years. He remains its North East editor.

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