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Home Lifestyle Food & Drink

An isolated Christmas

Peter Lathan looks to a classic Panettone as a good replacement for traditional Christmas pudding

Peter Lathan by Peter Lathan
15-12-2020 12:09 - Updated on 05-04-2022 19:44
in Food & Drink, Lifestyle, UK
Reading Time: 4 mins read
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An isolated Christmas

Illustration by Suzy Varty

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I’m going to be on my own at Christmas, all alone and shielding, and you know what? It doesn’t bother me in the least! I’ll not be having a Christmas lunch or a Christmas dinner. No way! What I’ll be having is a Christmas meal which this year will have an Italian feel. Not purely Italian, you understand, but the general theme will be Italian.

I’ll be getting up at about 9.30, when I’ll have my breakfast, and I’ll sort of potter around a bit until the meal starts sometime between 1.00 and 1.30.

This first course will be very simple, Prosciutto Melone, but it will be a slightly posher version: rather than prosciutto crudo it will be Parma Ham and the melon will be Galia rather than Honeydew because it has a slightly more tropical flavour.

Next, somewhere in the region of 3 o’clock will be the fish course. This will be Smoked Cod (Merluzzo Affumicato) topped with a poached egg (uovo in camicia), possibly – I haven’t decided yet – served with toast fingers.

As that is quite a strong taste, I think there may be a need for a palette cleanser to follow, perhaps 15 or 20 minutes later. A sorbet of some sort would work best. A lemon sorbet would keep the Italian feel but I do like mango sorbet, so a touch of India here perhaps!

About 5.00 it’s time for the main course. This year it will be petto di pollo arrosto in burro all’aglio, roast chicken breast in garlic butter, with shrimps (gamberetti). This will be accompanied by a dish of green vegetables (definitely cabbage, broccoli and cauliflower – I’m still not sure that sprouts would blend in – cooked in chicken stock with rosemary. For potatoes I’m going German: Bratkartoffeln – fried sliced potatoes with bacon and onion. Actually, one of my favourite restaurants in Wuppertal uses diced rather than sliced potatoes and fries them in butter but since I’m already having a garlic butter sauce I might just stick to oil. I wonder what it would taste like fried in sesame oil? I think I might try that in advance.

It’s going to be seven-ish at the earliest before I’m ready to eat again. I always find Christmas Pudding too heavy, so perhaps a classic Panettone (dried fruit rather than the chocolate variety) would make a good replacement. I had considered making a Panettone bread and butter pudding but I think I’ll have it with custard. Not very Italian, I know, but I love custard and as I’m cooking for me and me alone, custard it shall be!

Now this will probably be enough, what I was taught as a child to call an “elegant sufficiency.” Mind you, I thought the phrase was an “elephant sufficiency” so it must have been a pretty small elephant! But just in case it isn’t enough (who knows, given the amount of weight I’ve put on during this year of shielding), I’ll have some fresh fruit – perhaps a small fruit salad (macedonia della frutta) standing by, along with some chocolate, of course. And ice cream

However, if a post-prandial savoury is called for, there is my own creation: a half ciabatta bun, thickly spread with garlic butter, topped with a layer of finely chopped mixed dried herbs and cooked in the oven for about ten minutes at 180 degrees.

Of course, wines, both red and white, appropriate to each course, will be served, ending with prosecco, and then a final bedtime dram or two of the Lagavulin.

Now that’s what I call Christmas!

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Peter Lathan

Peter Lathan

Peter Lathan first appeared on stage in a school play at the age of 13 in 1956 when he played Marion in Sean O’Casey’s Cock-a-Doodle-Dandy. He first directed a play – Chekhov’s The Anniversary – in 1966. He has been involved in theatre ever since. He has taught Drama in schools, youth theatres and stage schools, whilst also running drama classes for recovering addicts and adults with severe learning disabilities. He has written more than 35 plays and directed over 70 from site-specific Shakespeare to touring pantos, from new writing to classic plays, from Theatre in Education to corporate productions. He is the author of It’s Behind You: The Story of Panto. He has been, variously, artistic director of theatre company KG Productions (2000 – 2016), chairman of the board of the Wearabout Theatre Company of Sunderland, and a Trustee of the Customs House in South Shields (9 years) and of No Limits Theatre Company, a professional company for adults with a learning disability In 2001 he founded the online British Theatre Guide which he edited for 11 years. He remains its North East editor.

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