What a difference from Uganda in climate! Fort Portal is over 5000 feet above sea level, Kampala is over 4000 feet but Dar es Salaam is at sea level. The university is on a hill outside the city but, although we got a bit of a sea breeze, the humidity was very uncomfortable. Largely owing to the influence of the President, Julius Nyerere, political development in Tanzania was more advanced than it had been in Uganda but one British custom remained unchanged: the working day.
The measures in the report do not involve wholesale change or a rewriting of the deal – and, crucially, do not cross any of the government’s Brexit red lines, with some of the proposals even echoing pledges made during the referendum and election.
A sequel of sorts, So Cold Love continues the climactic story that previous track Blew Up a Kiss started, a progression the band were keen to explore and delve into as they grow and mature past their previous experiences.
A salute to you sir,
from one human to another.
It didn’t begin with uniform wearers,
armband bearers; that’s just where it ended,
with proud keyholders
to blandly wicked gas chambers.
“And I will ensure that the arts, culture and tourism are right at the heart of our revival. We have incredible talent here and we must harness that.
Arts Council England has announced 2,272 grants totalling £261,582,823 to arts organisations to help them recover from the ravages of the pandemic. Distribution across England w
The Billingham International Folklore Festival of World Dance (BIFF) has received a grant of £40,900 from the Government’s £1.57 billion Culture Recovery Fund to help the organisation recover and reopen.
The award from the Culture Recovery Fund will make up a shortfall in income streams derived from Live Theatre’s social enterprises, forced to close as a result of the Covid-19 pandemic.
Jim Beirne, MBE marks a 21 year career milestone as he steps down as Chief Executive of Live Theatre. The composer and musician, was awarded an honorary Doctor of Letters from Northumbria University in 2011 and an MBE in 2012.
Hoist the flag over the food banks,
tell the world just who we are,
paint the breakfast clubbing hungry kids
red, white and blue;
then snap them all in two
to check they’re British through and through.
Longer days. Dormant
hope bubbles in heart’s well-spring.
Fountains crystal light.
“This project will help to stimulate people’s minds at a time when the pandemic has greatly affected their wellbeing and mental health, and will be a welcome main course to appease their cultural appetite.”
Sunderland MP helps lead ‘First of its kind’ inquiry into what Northern Culture needs to rebuild, rebalance and recover
Julie Elliott, MP for Sunderland Central The Northern Culture All Party Parliamentary Group will launch its first Inquiry into what Northern Culture needs to rebuild, rebalance and recover. The Inquiry will shine a light on the impact of the Covid-19 pandemic on Northern Culture and call for evidence from key voices and stakeholders across the […]
She came in peace to reclaim the night,
with her sisters, a candle and a thimble of hope,
which wept itself out under flashing blue lights.
Escaping the final harvest,
haunting a lichen-limbed nest,
the ghost apple hangs transparent
where once branches bent
laden with wanton fruit,
swollen to a pregnant glut.
Striplight eyed, Eve tumbles out
to mourning’s waking arms,
home to bed’s hollow belly,
the longnight’s deadweight
gushing from her soul
into the pillow’s soft shoulder.
Two hundred years ago
this February in Rome
Inspired by Hexham’s heritage and funded by Historic England, Animating Hexham aims to discover stories and evoke memories of the town’s high streets and buildings, using these to inspire animations and conversations about Hexham’s heritage.
Dunsinane becomes darker than hell itself. The porter declares, “But this place is too cold for hell. / I’ll devil-porter it no further.” Scotland is also increasingly described metaphorically as sick and diseased – just as the UK is, once again, being dubbed ‘the sick man of Europe’. The nation hosts a nightmare Covid-19 scenario, the economy is in a grievous state, and our national debt is eye-wateringly high.
In real terms £400m is a proverbial drop in the ocean and so our cultural capital as a society is in real danger of ultimately being lost to those who can afford it, be allowed to contribute to it and therefore own it. Without arts or culture our worldview narrows – because they give us the vital experience of knowing thoughts beyond those in our own heads and famously enable us to ‘walk around in someone else’s shoes’ (To Kill a Mockingbird).
I met a man today
on my puddled walk
past new-made lakes –
meadows inundated –
at Hunsden Lock …
Having already anchored themselves firmly within their regional scene through shows at established venues such as Riverside (Newcastle), Independent (Sunderland) and The Cluny (Newcastle), the band is raring to go and eagerly awaiting the return of live music.
Filled with confusion, unanswered questions and mixed emotions, Stay explores the journey to revealing how you really feel. Sophia explains: “the track describes a certain feeling, when you’re in a situation you never want to leave, you just want to forget everything else, lay all your feelings on the table and stay in that place forever.”
What we can do as citizens is to ensure there is a viable planet for our grandchildren to inherit. “Eat less meat… educate yourself… hold your parents to account… follow the money… Your money is either buying a hotter or a cooler climate,” said Eno.
Since the late 1990s we’ve seen a multiplicity of conflicting groups and styles ranging from young people involved in acid house parties with its repetitive beat and new drugs such as blues and ecstasy to Goths dressed in black and white makeup and into art drawn predominantly from middle-class backgrounds. Recently ‘Rap’, ‘Emos’ ‘Skaters and the much maligned ‘Chavs’ as noted by Owen Jones have appeared on the social scene.
From the side hatch,
across the river,
I saw four walkers
on the tow path opposite –
Two couples and a dog-
Standing still in distanced line
their backs toward me,
Aching, longing, yearning
for a brush past, a touch
of surfaces – much more
than a waterproof
or soft container.
“Keep singing come what may”: After Winter, a graphic novel, by Streetwise Opera and Teesside University
“As a civic university we want to engage with the community and this project allows our students to make a really positive impact upon the lives of some of society’s most vulnerable people. We are delighted with the result and are committed to our ongoing collaborative partnership with Streetwise Opera in the coming years.”